Food innovation doesn't (only) mean technology and gastronomic revolution.
- Stefano Tosoni
- Apr 8
- 2 min read
In an era where the concept of innovation seems tied exclusively to technology, lab synthesis, or the use of artificial intelligence in the kitchen, there is a silent yet powerful movement looking elsewhere—or rather, looking backwards, to our origins. It is the return to the wild. A radical, necessary return that is not about nostalgia, but about advanced research into meaning, flavor, and sustainability. Today, speaking of food innovation means, above all, exploring the still untapped potential of the spontaneous vegetal world, of ingredients that grow freely and untamed, often on the edges of the visible, yet rich with extraordinary aromatic, nutritional, and symbolic power.
Wild ingredients are not a passing trend. They are a living, evolving culinary language—a grammar that weaves together memory and possibility. Roots, berries, flowers, leaves, lichens, barks: each spontaneous plant element carries a story about land, climate, biodiversity. But also about resilience, adaptation, and ecological intelligence—something contemporary cuisine can and must learn to hear.

In Italy, a number of pioneering chefs are pursuing this vision with passion and coherence. Valeria Mosca is perhaps the most emblematic name: forager, researcher, and cook, she has made foraging and the valorization of wild ingredients not just a culinary mission, but a cultural one. Through her Wood*ing Lab, nestled in the Lombardy mountains, she has trained chefs from around the world, redefining the very notion of raw material. Alongside her, the plant-based sensibility of Antonia Klugmann tells the story of an Italian cuisine that innovates through rediscovery, through listening to the landscape and translating it onto the plate.

On the international scene, the spotlight turns to figures like René Redzepi, who with Noma revolutionized the concept of the restaurant through a cuisine based on fermentations, local ingredients, and a deep knowledge of Nordic wild plants. His work has opened a path where creativity doesn’t stem from scarcity, but from the hidden complexity of nature. In his own way, chef Magnus Nilsson, with Faviken, also helped redefine the wild as a key to interpreting the territory. More recently, there is a growing ferment in Japan, where the age-old tradition of sansai—mountain vegetables—is being reinterpreted by young chefs in a contemporary key, merging ancient knowledge with modern culinary exploration.
But real change doesn’t only happen in starred kitchens. It happens every time botanical knowledge becomes daily practice, when the act of harvesting a wild herb becomes a political, ecological, regenerative gesture. Every time a kitchen lab experiments with a fermentation made from a spontaneous ingredient, or a mixologist infuses a spirit with hand-collected fir resin, we are witnessing a form of innovation that is anything but artificial: it is the art of letting nature suggest new directions.
Food innovation is not just about cutting-edge techniques, 3D printing, or molecular precision. It’s also about learning to recognize the hidden value of what grows free. It’s about developing a relationship with an environment that speaks through rough, unusual, primal flavors. It’s a kind of innovation that doesn’t aim for standardization, but for listening, for diversity, for biological complexity as a source of inspiration.
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